Showing Records: 81 - 100 of 128
Paperplay: The Beauty of Irrelevant Music / Gaburo, Kenneth., 1976
On page 3, Gaburo prints the following: When asking students the question: Why do you want to compose? the best answer given to me thus far has been: "I HAVE NO CHOICE!" -- Source of annotation: Marvin or Ruth Sackner.
Paperplay: The Music in Samuel Beckett's / Gaburo, Kenneth., 1976
Partitury: graficka hudba, fonicka poezie, akce, parafraze, interpretace (Score: graphic music, phonic poetry, events, paraphrases, interpretations) / Valoch, Jiri ; Adamus K ; Andersen E ; Brecht G ; Ben ; Bussotti S ; Chiari G ; Cobbing B ; Danon B ; Friedman K ; Garnier P ; Jandl E ; Johnson BE ; Kagel M ; Maciunas G ; Novak L ; Phillips T ; Rudolph P ; Schnebel D ; Shiomi M ; Lora-Totino A ; Valoch J ; Watts R ; Weibel P ; Wojnar J ; Young L ; Kayn R ; Logothetis A ; Haubenstock-Ramati R ; Brown E ; Vetter M ; Kahn R ; Serocki K ; Haubenstock-Ramati Rc) ; Toth D., 1980
This book is a compendium of experimental music scores that have been translated into the Czech language where appropriate. The title translated by Rodano Parmova & Petr Sevcik into English is Score: Graphic Music, Phonic Poetry Events, Paraphrases, INterpretations. -- Source of annotation: Marvin or Ruth Sackner.
Phonetic Diabelli or a Picture of Childhood / Curtay, Jean-Paul., 1980
This is a score for five voices of body poetry. -- Source of annotation: Marvin or Ruth Sackner.
[poem home] / Nikonova, Rea., 1996
This work has been taken from the Archive of O!!Zone 1997. -- Source of annotation: Marvin or Ruth Sackner.
Rara: (Dolce) Per Flauto Diritto / Bussotti, Sylvano., 1966
Rolywholyover: A Circus / Cage, John ; Retallack J ; Swed M ; McLuhan M ; Weil A ; d'Haroncourt A ; Lazar L ; Snyder E ; Tobey M ; Satie E ; Johns J ; Cunningham M ; Rauschenberg R ; Anastasi W ; Schoening F ; Amirkhanian C ; Antin D ; Beuys J ; Burroughs WS ; Charlip R ; Cornell J ; Dubuffet J ; Duchamp M ; Ernst M ; Feldman M ; Filliou R ; Fuller B ; Ginsberg A ; Hansen A ; Kaprow A ; Kostelanetz R ; Kosugi T ; Maciunas G ; Moholy-Nagy L ; Ono Y ; Patchen K ; Paz O ; Ray M ; Russolo L ; Stein G ; Tinguely J ; Wittgenstein L ; Young D., 1996
The prints are photographic reproductions of some of the works in this exhibition. -- Source of annotation: Marvin or Ruth Sackner.
Rust Belt (Collectors Edition) / Orangeflux., 1997
The pages of the book consist of the verbal score for the recording. These reproduce highly varied typefaces and layouts achieved with a digital computer. The recording itself is not held by the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
Score for Reveille / Ulher, Birgit., 2007
This poster is the program of concerts presented by Jennifer Allora and Guillermo Calzadilla titled "Wake Up." Ulher's score is described as a starkly conceptual approach to Reveille. -- Source of annotation: Marvin or Ruth Sackner.
Selected Writings / Young, La Monte ; Zarzella, Marian ; Kostelanetz R., 1969
This book includes five pages of calligraphic markings by Zarzella and a long interview of Young by Richard Kostelanetz. -- Source of annotation: Marvin or Ruth Sackner.
Self-Similar Melodies / Johnson, Tom., 1996
Johnson explains the logical and mathematical techniques he uses in his musical compositions including finite and infinite automata, paper folding formula, and sequences taken from Pascal's triangle. -- Source of annotation: Marvin or Ruth Sackner.
Sette Fogli: Una Collezione Occulta / Bussotti, Sylvano; Cardew C; Neuhaus M; Boehmer K., 1963
Each print is a chamber music piece that was coposed in 1959. According to the editor, "these pieces are intended to evoke immediate and spontaneous interpretation by the players. There is no precise explanation of markings, a given marking is self-explanatory, or is explained by virtue of its 'magic' origin. The degree of paralelismthat can be attained between signs and their acoustic realization will create the occult attraction of every imaginative realization process. -- Source of annotation: Marvin or Ruth Sackner.
Seven Miniatures OP. XIV / Phillips, Tom., 1970
Although the colophon is numbered 25/100, Phillips signed the work 14/100. One of the prints is taken from Phillips' opera "Irma" and has Humument imagery. The prints feature stencilled, empty letters characteristic of one of Phillips' styles. These are depicted in Tom Phillips: Works Texts To 1974, page 260-261. Phillips mentions that this wotk was first performed by John Tilbury in 1971. The Humument fragments read "quite high - intonation devine time (top print) and "tr - Low and high divisions - s- the hiss of cheeks (bottom print). -- Source of annotation: Marvin or Ruth Sackner.
Six Pieces / Phillips, Tom., 1968
This piece (Opus 10) is depicted in Tom Phillips: Works Texts To 1974, page 255. It is stated that the edition size was 100, but this copy indicates that the size was 150. -- Source of annotation: Marvin or Ruth Sackner.
Skizzen und Manuskripte / Friedlaender, Johnny ; Stockhausen, Karlheinz., 1971
The book consists of experimental musical scores by Stockhausen and diagramatic art sketches by Friedlaender. -- Source of annotation: Marvin or Ruth Sackner.